Born in Buenos Aires, Argentina. He has had shows at home and abroad. In the famous Cinque Terre region, located in Liguria, northern Italy, completed in 2007 and gave his entire root plastic work related to the landscape. However, essentially, his figuration is born of Indian and African sense, given his admiration for the Mexican muralists Rivera, Orozco and Siqueiros. However, there is a subtle difference: his work covers a fruitful foliage and striking sensuality. On her 1997 exhibition, Rosa Faccaro, major criticism of the newspaper Clarin in Buenos Aires, wrote in the journal "Generation Open" in October: "In a similar argument Spartacus algrupo Argentine muralist, with approaching Mario Mollari and Elena Diz, his figuration is presented in a constructive synthesis monumental. The difference with these artists is set to figure-ground relationship, as the figures look Daneri Standard Mesoamerican landscape. The strong and exuberant nature, the framework presented in the space around his female nudes. On the easel paintings, Diego Rivera is another paradigm that draws on standard Daneri employed to carry out an interesting configuration of indigenous sense. In this sample is another line of greater intimacy, where you can breathe a psychological climate and atmosphere. Indoors grouped beings have an urban issue, far away to pose nude in their statements. "Then, upset by racist claims because of its proximity to the blackness of much of his work, artist devoted himself to reflect the world of tango, which garnered countless successes, given their original lines, versatile and ironic. Another great day for Argentina, "La Nación", said in its edition of February 13 titled "Colorful painter's eye on the past": "With works such as Bondage, The Wait, Corn livelihoods and Weddings, Daneri transmitted from themselves and with particular force the submission of ancient cultures and their struggle to survive on earth (...) In addition, with acrylics as Esquinazo, Papusa, Firulete, Milonguita, nostalgia and sentimentality, among many others, perfectly portrays moments of two by four. " For its part, the writer said in Daneri Alberto the catalog of an exhibition: "A painting sensory, with existential story. The bodies do not exist by themselves but by the privileged that the artist gives them within the frame. The human figure is at the heart of his work and treatment of space, like the composition, remember, with a particular brand of realism, both fighting for life today as a vibrant example of the painting yesterday, with clear metaphors that go beyond the primitive, building a space devoid of fragmentation, for lead our eyes with remarkable sensitivity. "